电影解说
网友评分329人已评分
5.0
Paris, 1315. The Tour de Nesle, a guard tower on the banks of the Seine, has become a symbol of mystery and fear. Each morning, at its base, the bodies of handsome young aristocrats are found floating in the river, all butchered by sword or arrow. One evening, two noblemen, Buridan and Philippe d'Aulnay, find themselves in the infamous tower, lured there on the expectation of a night of unbridled passion. Little do they realise that they are to be the next victims of a woman who is determined to take revenge against all men - Margaret of Burgundy, the present Queen of France. Although Philippe is killed, Buridan escapes, and intends to blackmail the Queen. Unless she makes him her prime minister, he will expose her crimes to Philippe's brother and her husband, King Louis X. When she moves to eliminate Burdan, Margaret makes a terrible discovery... In the twilight years of his long and pretty uneven career, the great avant-garde film director Abel Gance made a number of films which, whilst not as grand and artistically inspired as his early silent masterpieces (La Roue (1923), Napoléon (1927)), still compared very favourably with the work of his contemporaries. Of these, La Tour de Nesle is a film that still stands up remarkably well today - an ambitious historical drama based on the famous 1832 play by Alexandre Dumas. It makes a nice companion piece to Gance's subsequent historical romp, Cyrano et d'Artagnan (1964). Needless to say, the film isn't to be commended on its historical accuracy. As any historian will tell you, the Alexandre Dumas version of French history is wildly fanciful, to say the least. However, this doesn't prevent La Tour de Nesle from being an entertaining and, at times, highly poignant, piece of cinema. Whilst the characterisation and dialogue leave much to be desired, the plot (a murky tale of cruel revenge and political intrigue) is gripping, and the film's artistic design is exceptional for a film of this period. Gance brings a strangely expressionistic touch to his use of colour and shade, something which adds to the darkly sinister nature of the plot, whilst imbuing the film with a striking sense of historical realism. A propos, Gance's assistant director Nelly Kaplan makes her screen début in a small role, shortly before she herself embarked on a successful film making career.
莉莉·法哈德普尔 埃斯梅尔·梅赫拉比 Mansoore Ilkhani Soraya Orang Homa Mottahedin Sima Esmaeili Aman Rahimi Azim Mashhadi Saeed Payamipoor Ali Asghar Nejat Mehdi Pilevari 穆罕默德·海达里 Khosro Abbasi Mozaffar Esmaeili 梅利卡·帕祖基 Efat Rasolinezhad Amir Hossein Esfandiari Shahin Kar
克里斯汀·米利欧缇 奥古斯托·阿吉莱拉 诺玛·杜梅温尼 雷·罗马诺 凯莱布·富特 雷蒙德·李 比利·马格努森 丹·巴克达尔 汤姆·鲍尔 多泰斯·詹姆斯 瑟莱斯特派蔻丝 阿里斯·阿瓦拉多 霍普·班克斯 Mike Caravella 马修·卡德罗普 布伦特·蔡斯 Alfonso Diluca 阿什利·达兰妮 尼亚切·海邓迪 杰登·伦德 布兰顿·莫拉莱斯 汉娜·丽贝卡·泰勒 Ed Galvez Dutch Johnson Jessica Mastrippolito Tom Jenkins